Saturday, February 29, 2020

POETREES by Douglas Florian


Bibliographic Data
Florian, Douglas.  2010.  POETREES.  New York:  Beach Lane Books.  ISBN:  9781416986720

Plot Summary 
This topical collection of poetry features a variety of trees and an appreciation for the roots, bark, and leaves that make them up.  Florian writes lightly and simply, with both humor and reverence for these great organisms that give us life, in a way that readers young and old will appreciate.

Critical Analysis
The clever title of this book is just a hint of the delightful experience found within, as the author invites us into the world of poetry and trees!  This book is unique and non-traditional in many ways:  its vertical format, opening from bottom to top, creates a lengthened two-page canvas for illustrating the tallest of trees!  Watercolor paints on textured backgrounds create soothing scenes, both realistic and fantastic, appropriately done using the earth tones found in nature.

The text is visually stimulating as it is spaced out for effect, turned vertically, or physically manipulated to create a shape poem.  One poem is crafted in a circular shape to represent a tree ring in the poem titled “Tree Ring” and another shapes the text as an infinity symbol to signify the never-ending life cycle of plants in the poem titled “The Seed.”  Florian uses wordplay wherever possible, to describe trees that are “ex-seed-ingly fine” and “tree-mendous,” or to discuss a tree’s “his-tree” as shown in its rings when it has been around for a “cen-tree.”

Florian personifies the weeping willow tree, asking why it weeps, moans, and groans, and uses humorous onomatopoeia to describe the “birrrrrrrrrrrrrch” that grows in cold weather.  Most of the poems rhyme and have consistent rhythms, some with short lines and others more lengthy.  Some include heavy repetition which makes it fun to read aloud, such as in the poem “Baobab”:  “Jug tree. / Hug tree. / Upside- / Down tree. / Vat tree. / Fat tree. / Bottle tree. / Brown tree.”  As the poem nears its end, the letters of the text start to spread apart, as it describes the wide girth of the tree:  “Double tree. / Bubble tree. / Can-dle-stick. / G i r t h  t r e e. / E a r t h  t r e e. / T  h  i  c  k  ! / T  h  i  c  k  !  / T  h  i  c  k  !”

The book includes both a table of contents and a “glossatree” which defines unfamiliar vocabulary and offers a brief description of each of the types of trees featured in the book. 


Review Excerpts
"Starting with the book’s title and ending with a final “glossatree,” the wordplay in Florian’s latest poetry collection provides plenty of fun...The final fascinating notes on each tree, and on leaves, stems, and roots, spell out the call for conservation that is part of the poetry and pictures. — Booklist

"Trees receive a witty and informative rhyming appreciation...the poems live up to his usual high standard...Readers and listeners will learn and laugh."--Kirkus Reviews

“Florian’s richly watercolored collages, accompanied by verse, evoke a whole forest of trees. Sometimes it takes just a handful of words. “From the acorn grows the tree - slowly, slowly,” he writes, as an oak fills a two-page spread, stained onto paper.”--New York Times Book Review
Connections
  • Read other books by Douglas Florian, such as Dinothesaurus:  Prehistoric Poems and Paintings and UnBEElievables
  • Introduce or extend a unit on plants or plant parts
  • Use as part of an Earth Day celebration 
  • Create watercolor paintings of trees and plants in Florian’s style
  • Cultivate a topical collection of poems about a different type of plant, such as flowering plants or berry plants
  • Write a poem about a plant or tree that you are fond of
Awards and Honors
  • Amazon Rating 4.2 / 5
  • Goodreads Rating 4.16 / 5

Thursday, February 27, 2020

JAZZ by Walter Dean Myers


Bibliographic Data
Myers, Walter Dean.  2006.  JAZZ.  New York:  Holiday House.  ISBN-10:  0823415457

Plot Summary 
Jazz is a richly blended experience of music, culture, and history.  It begins with an informational narrative of the beginnings of jazz music, then follows with a variety of poems that celebrate music, musicians, and styles of jazz.  From the sultry love songs of a night club to the surprising, celebratory sounds of a funeral procession, this book guides the reader through a variety of experiences and feelings that jazz has to offer.

Critical Analysis
Even a reader with just a little knowledge of jazz music will recognize its influence in the written words of the text.  Most of the poems are written free verse, with some rhyming mixed throughout, but the real treat is in the rhythmic punch of the words that sound like a cultural chant when read aloud.  Casual speech and slang pay tribute to the African culture that was responsible for bringing its unique musical sound to America during the times of slave trading, which evolved into the jazz we know today.

Perhaps as a nod to the origins of jazz, a blending of two vastly different musical cultures, the author integrates two distinctly different fonts within each poem.  The majority of the book is printed in traditional, crisp lettering, but short bursts of loose, scripted lettering are scattered about.  Sometimes the script highlights the sounds of the instruments, such as the “bee ba boodie, boo” of a keyboard or a drum’s “rat-a-tatting.”  Other times it simply draws attention to a word or phrase that the author wants you to notice, such as the word “good-bye” said to an old friend at his funeral, or the pleading “mercy, mercy, mercy” of the saxophone player who has to play all night and then go home alone to mourn a broken relationship.

Expertly crafted words and phrases bring the sound and rhythm of jazz music off the page, in texts like “Go screa-------min’, go screamin’…..go screa----screa----screamin’” where you can almost hear the scream of a saxophone holding a note and then quickly moving on in the ever-changing rhythms of the music.  Poetic devices are strong and well-placed.  Depression is personified in “Blue Creeps In” as it wraps its arms around the writer and they go for a walk together.  Onomatopoeia expresses the “thum, thum, thumming” of the bass and the “rat-a-tatting” of the drums.  “Stride” is a poem that thrives on strong, varying rhythms - “we got jiving in our bones / and it won’t leave us alone / we’re really moving” - followed by the repetition of two focus words in each line “jiving / bones” to break up the lines of the poem in the same way jazz music uses mellow background music to pause between the bold solos of individual instruments.

The many moods and styles of jazz are represented in the variety of poems herein.  The title poem “Jazz” references the beginnings of the music as a combination of rhythm and heart, expressing feelings of both triumph and despair, as the musicians play what they feel.  On a happier note, “Twenty-Finger Jack” is a lively, fast-moving account of a piano man who makes the keyboard jump and forces the listener’s feet to dance, pushing all troubles aside.  A slower, smoother “Jazz Vocal” elicits the nostalgic feelings of being in love, while “Blue Creeps In” depicts the depression and heartache of lost love.  Teamwork and unity are the theme of “Now I Come In” about a group of musicians playing together and sharing the spotlight, as each instrument plays a bold solo and then fades to the background to let another shine.

Illustrations by the author’s son, Christopher Myers, add to the experience with vibrant background colors and beautifully painted musicians, instruments, and dancers.  The book also includes a helpful glossary of jazz terms and a timeline of jazz history that will give the reader a deeper understanding of this amazing musical culture.   

Review Excerpts
"A mesmerizing verbal and visual riff on a uniquely American art form." --Publishers Weekly

"An absolutely airtight melding of words and pictures that is perfectly accessible to a younger audience." -- Booklist

Readers will find music coming irresistibly into their heads." --The Horn Book

Connections
  • Read other books by Walter Dean Myer such as Blues Journey or Here In Harlem:  Poems in Many Voices
  • Explore the different styles of jazz music represented in the book:  bebop, cool jazz, free jazz, hard bop, fusion, boogie, blues
  • Include in a study on how the arrival of African people to the Americas positively influenced and enriched American culture.
  • Use to enhance a study of jazz music and musicians

Awards and Honors
  • Coretta Scott King Illustrator Award Honor Book
  • American Library Association Notable Children’s Book
  • Book Links Best New Book for the Classroom
  • Booklist Editor’s Choice Selection
  • Booklist Top 10 Black History Title for Youth
  • Golden Kite Award for Picture Book Text (SCBWI)
  • Hans Christian Andersen Award Honor List (Illustrator Honor)
  • International Reading Association Notable Book for a Global Society
  • Kirkus Reviews Editors Choice Award
  • Lee Bennett Hopkins Poetry Award
  • National Association for the Advancement of Colored People Image Award for Outstanding Literacy Work in Poetry Nominee
  • New York Public Library 100 Titles for Reading and Sharing
  • Odyssey Award for Excellence in Audiobook Production (First)
  • Parenting Magazine “Mom-Tested Book of the Year
  • Publishers Weekly 100 Best Books of the Year

Sunday, February 16, 2020

Rumpelstiltskin, retold and illustrated by Paul O. Zelinsky

Publisher:  Dutton Children’s Books
Publication Date: 1986
ISBN:0-525-44903-5

This is a classic retelling of the Grimm Brothers’ Rumpelstiltskin, in which a miller happens to meet a king and falsely brags that his daughter can spin straw into gold.  The gold-loving king sends for the daughter and forces her to spin rooms full of straw into gold or suffer death.  For three nights, a little man name Rumpelstiltskin saves the girl by spinning gold in exchange for two trinkets and the promise of her first-born child.  After the third night, the king marries the daughter and a year later their son is born.  When the fateful day comes that she must give up her son, Rumpelstiltskin allows her three days to guess his name or hand the child over.  With the help of a faithful servant, the queen discovers his identity and Rumpelstilskin flies away on a wooden spoon and is never heard from again.

Zelinsky’s story is a combination of some of the earliest written variants of the Rumpelstiltskin tale, as told in Germany and recorded by the Brothers Grimm.  What really makes this retelling special are the beautiful oil paintings that make up the illustrations.  Using a Renaissance style technique of oil over watercolors,  Zelinsky paints a serene village, a flawless castle, and dull, brown straw that becomes spools of shiny, gleaming, gold thread.  There are museum-quality scenes of the miller’s daughter devastated and crying, being introduced to the scrawny, pointy-nosed elf of a man who saves her, and sleeping on a mountain of thread spools as the pleased king looks in on his new gold fortune.  The light colors turn dark as the scene changes to the grim forest where the servant girl searches for the strange little man who has distressed the king. But all turns bright again when the queen smugly asks, “Is your name Will?....Is your name Phil?....In that case, is your name Rumpelstiltskin?”  The furious little man flies out the window, leaving the queen smiling down at her precious baby who has been saved from an ill fate.  

Folk and fairy tale fans will enjoy  this beautifully done version of a classic tale, as well as other classics by Zelinsky.  The text in this book may be slightly challenging or lengthy for younger readers, but appropriately read aloud for all ages.   Lesson plans written by Deborah Hallen, the author’s wife, are available at http://paulozelinsky.com/rumpelstiltskin_lessons.html 

Awards and Honors:
  • Caldecott Honor (1987)
  • Redbook Award
  • Society of Illustrators and AIGA Certificates of Merit
  • Bratislava Biennale Selection
  • ALA Notable Book
  • SLJ Best Book
  • Parents' Choice Award
  • Book-of-the-Month Club selection
  • White Raven Book selection of the International Youth Library

Saturday, February 15, 2020

The Three Little Superpigs, written and illustrated by Claire Evans

Publisher:  Scholastic, Inc. 
Publication Date: 2016
ISBN: 978-1-338-31590-5

This story begins where the original tale left off:  we see the wolf as he is carted off to prison to pay for his crimes, and the three little pigs are hailed as heroes!  This is the life they were meant to live:  greeting fans and fighting crime.  Until one day, the wolf escapes and beats them at their own game.  Using stolen bricks from all over Fairyland, the wolf builds a huge wall around the houses of the three Superpigs and captures one, then two, and prepares them for dinner.  Just in time, the always-wise Superpig 3 saves the day by arming his brothers with their jet-packs, and the brothers escape, leaving the wolf trapped in a prison of his own making.  Fairyland is saved once again and its residents stand amazed when they learn that pigs really do fly. 

This modernized adventure of the three pig brothers is bursting with humor, both in text and picture.  Brightly colored and cartoon-like illustrations show the pigs in their new roles, as they take selfies with Red Riding Hood, give autographs to the Gingerbread Man, and dutifully parade Goldilocks away in handcuffs as the three bears look on with admiration.  Meanwhile, the determined wolf plots away in his prison cell, decorated with tally marks, newspaper clippings, and a table cluttered with books about brick-laying, key-forging, and wall-building.  You can’t help but chuckle when, on a tip from Red Riding Hood, the not-so-bright Superpigs round up all the grannies in town and place them in a line-up.  To their dismay, the wolf was “a master of disguise and they just couldn’t spot him”…but smart readers won’t be fooled by the funny-looking granny in a frilly, pink nightgown holding a basket of bricks.  Eventually, the wolf delivers himself inside each of their houses, and upon successfully capturing the first two, he wraps them in pastry dough, ready to become a tasty pigs-in-a-blanket dinner for one.

Children will love chanting along with the wolf page by page as he growls at each little pig.  “I don’t need to huff.  I don’t need to puff.  I don’t need to blow your house down….because I am already inside!”  This is sure to be a book they want to read again and again, and could be used in a study of fractured fairy tales or comparisons with other variants of the Three Little Pigs stories.  The story finishes with “The End?” and leaves kids guessing  about the next adventure the Superpigs might have when the devious wolf strikes yet again.

Honors and Awards:
  • Amazon rating 4.9 / 5
  • Goodreads rating 3.61 / 5

Friday, February 14, 2020

Just a Minute: A Trickster Tale and Counting Book, written and illustrated by Yuyi Morales


Publisher: Chronicle Books, LLC.
Publication Date: 2003
ISBN-13:  978-0-8118-3758-3

Knock-knock-knock.  Who could it be?  In this Mexican folk tale retelling, Grandma Beetle finds death knocking at her door!  Señor Calavera (Spanish for “skull”) is a skeleton man who has come to take Grandma to her next life.  But Grandma is not quite ready to go, and asks him to wait “just a minute” while she finishes each task on her to-do list.  As Señor Calavera’s patience grows thin, Grandma finally finishes her tasks…but trickster that she is, it is now Señor Calavera that wants to wait “just a minute” more to enjoy the fruits of Grandma’s labor.

This story is perfect for reading aloud, as every page begins with the refrain of “Just a minute…” when Grandma Beetle announces yet another task she needs to complete. Readers can count along with Señor Calavera, in both English and Spanish, as he grows frustrated waiting on Grandma to complete each new task.  “THREE… Señor Calavera rolled his eyes.  He had to be very patient sometimes…FOUR... Señor Calavera frowned.  This was taking more time than he expected…FIVE… Señor Calavera tapped his fingers.  This was getting out of hand!”  

Vivid, full page illustrations allow us to experience the culture of Mexico through warm, vibrant colors as we see Grandma fill piñatas, chop fruits, melt cheeses, and cook corn tortillas in preparation for her birthday fiesta.  Clever Grandma winks at the reader as she manipulates Señor Calavera into not only waiting, but helping with her tasks.  It isn’t long before he dons his own apron and takes charge of the mixing bowl. Though he represents death in this story, he is a colorful, friendly-looking character whose facial expressions will amuse and delight readers as they witness his feelings of impatience, frustration, and ultimately submission.  

Children will love this just for its clever tale and count-along fun, but it would also fit well with instructional units on Mexico or Mexican folklore.  Additionally, it could be compared and contrasted with Mice and Beans by Pam Muñoz Ryan, another story about a grandmother preparing for a birthday fiesta with a  little help from the mice who live in her house.

Awards and Honors:
  • California Book Award Silver Medal for Juvenile Fiction (2004)
  • Pura Belpre Medal for Best Illustration (2004)
  • Notable Books for Children, Younger Readers (2004)
  • CCBC (Cooperative Children's Book Center) Choices selection (2004)
  • Golden Kite Honor Book, Picture Book Illustration (2004)
  • TomC!s Rivera Mexican American Children's Book Award (2004)
  • Latino Literary Award for Best Children's Book (2004)
  • Latino Book Award (2004)
  • Parent's Choice Award Winner, Approved (2003)
  • Northern California Book Award nomination, Children's Literature (2003)
  • Best of the Best List, Chicago Public Library (2003)
  • Best Children's Books of the Year, Bank Street College of Education (2003)
  • Americas Award for Children's and Young Adult Literature (2003)
  • Booklist starred review
  • Kirkus Reviews starred review

Sunday, February 2, 2020

Rosa by Nikki Giovanni

Illustrator:  Bryan Collier
Publisher: Henry Holt and Company
Publication Date: 2005
ISBN:  978-0-8050-7106-1

Rosa’s day began like any other:  breakfast with her husband and mother, and then off to work at the alterations department.  She was pleased when the work was done early, and her supervisor encouraged her to go home to care for her sick mother. She thought of the nice dinner she would have time to make, as she boarded the bus like so many times before.  Her mind was so full of thoughts that she didn’t even hear the man yell at her the first time.  He demanded that she and the passenger next to her give up their seats.  With a courageous and quiet “no,” she set events in motion that made her one of history’s most prominent civil rights heroes.

Though the story of Rosa Parks is already well-known, this book approaches that eventful time from a narrative standpoint.  We witness Rosa’s day from beginning to end, read her thoughts about her sick mother and the nice meatloaf she will prepare for dinner because it’s her husband’s favorite.  We feel how tired she is of the world’s injustice and see her nervous strength, stunningly illustrated, as she clutches the strap of her purse tightly while waiting for the police to arrive on the bus.  We learn of friends like Jo Ann Robinson, who gathered women together in a late night meeting to secretly print posters that started the bus boycott.  We feel the repetition of those who walked, day in and day out, to show their displeasure with the bus company, and we take pride in the support from people across the nation who sent shoes and money to sustain the cause.

The narrative is enhanced by the beautiful illustrations, full of intense colors and patterns.  Wallpaper, curtains, and clothing are depicted with sharp patterns and a variety of textures.  The backgrounds are a mixture of abstract geometric shapes, yet the characters look like something from a high-quality portrait.  A note from the illustrator tells us that the dark and yellow hues were intended to give the reader a feel for the Alabama heat, as well as a “foreshadowing, an uneasy quiet before the storm” and that Rosa herself was painted to look as though “light is emanating from her…a radiant chandelier, an elegant light that illuminates all our many pathways.”

Children of all ages will appreciate this book and view these historical events in a personal way.  It is somewhat surprising to see Mrs. Parks as a normal person when for years she has been held in such high esteem (and rightfully so).  It would benefit students to read an informational text in conjunction with this book, for a deeper understanding of the life of Rosa Parks.

Awards and Recognition:
  • Caldecott Honor Book, 2006
  • Coretta Scott King Award, 2006
  • Amazon rating:  4.5/5
  • Goodreads rating:  4.35/5

Saturday, February 1, 2020

Millions of Cats, written and illustrated by Wanda Ga’g

Publisher:  G.P. Putnam’s Sons
Publication Date:  1928
ISBN:  978-0-399-23315-9

Once upon a time, an elderly couple lived in a seemingly perfect house surrounded by flowers.  One would think they were happy, but alas, loneliness stands in the way.  The old woman laments to her husband that if they only had a cat, they could be happy.  So he dutifully begins a long journey in search of the perfect cat.  He comes to a hill “which was quite covered with cats” and cannot choose just one, as each and every cat is perfect.  He arrives home, with millions of cats in tow, causing alarm as the old woman does not know how they will feed and care for them all.  She asks the cats to decide which one is the perfect cat to stay and live with them.  Naturally, every cat thinks it is the prettiest and most perfect, so a fight breaks out as each defends its title of prettiest cat.  The old couple runs inside to hide from the commotion, until the chaos dies down and all of the cats are gone, save one….a humble little thing who did not tout his virtues and was therefore not a threat to the other cats.  The old man and woman take him home and lovingly bathe, brush, and feed the cat.  As he grows and becomes a beloved member of the household, they are most decided that he is, indeed, the prettiest cat of them all.

This nearly 100 year old book will surely still capture the attention of children today, as it portrays the modern day problem of choosing just one of many perfect pets.  They will be enchanted by the repetitive chorus of “hundreds of cats, thousands of cats, millions and billions and trillions of cats” as the cats march home with the man.  They will delight in the drawings of the homely cat tumbling over his food dish in a series of photos that show him eating and growing until he becomes a plump and satisfied little cat.  Though the text is old, the language is child friendly and can be read by primary-aged children.  The illustrations are cleanly drawn in black and white, with crisp lines and intricate details, such as portraits of a young bride and groom smiling down on the old couple as they enjoy cake and coffee in their rocking chairs, while the kitten plays with a ball of yarn at their feet.  There is a fairy-tale quality to the drawings, as the country setting is pristine, the cats have sweet facial expressions, and the little old man looks a bit like a gnome with his long beard and head cap. 

This book is bound to attract cat lovers and would function well as an interactive read-aloud for second language or low-language learners.  It won the Newbery Honor in 1929 and was the first of its kind to feature an illustration that stretched across two pages.  Ga’g designed the illustration this way so it would “urge the reader on to the next page” (Wanda Gag House, n.d.).

Awards and Recognition:
  • Newbery Honor, 1929
  • Amazon rating:  4.7/5
  • Goodreads rating:  4.09/5
Wanda Gag House.  (n.d.)  Millions of Cats by Wanda Gag.  Retrieved from http://www.wandagaghouse.org/about/millions-of-cats-by-wanda-gag/ 

FLORA & ULYSSES by Kate DiCamillo

Bibliographic Data DiCamillo, Kate.   2013.   FLORA & ULYSSES.   Somerville, MA:   Candlewick Press.   ISBN:   9780763660406 Plot ...